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KAIST Professor Jinjoon Lee’s 10-Meter Hanji Scroll PhD Thesis from Oxford Enters the Permanent Collection of the World’s Oldest Museum, First Work by a Contemporary Korean Artist
<A ten-metre scroll doctoral thesis reinterpreting the 15th-century Joseon landscape painting scroll tradition, Empty Garden, exhibited at the University Church of St Mary the Virgin, Oxford, founded in the 15th century. 2020>
- Media artist and KAIST professor Jinjoon Lee's doctoral thesis 'Empty Garden' officially acquired by the Ashmolean Museum, UK, for permanent collection
- Korean artistic and academic achievement recognized as public cultural heritage at a museum predating the Louvre by 110 years — the 'heart of Western intellectual history'
- Blending Eastern aesthetics of 'wandering' (거닐기) and 'emptiness' with data technology in the AI era — awarded Oxford's unanimous 'No Corrections' in just 2.5 years in 2020
- First work by a contemporary Korean artist to enter the Ashmolean's permanent collection — officially confirmed by the museum's curator
- Korean artistic and academic achievement officially recognised as intellectual cultural heritage — permanently preserved, researched, and exhibited within the Western public knowledge system
A doctoral thesis is often imagined as a dense, bound volume. Yet a 10-meter-long hanji scroll- traditional Korean mulberry paper prized for its durability across centuries- is now drawing global attention from the art world and academia alike.
KAIST (President Kwang Hyung Lee) announced on the 26th that Empty Garden – A Liminoid Journey to Nowhere in Somewhere (2020), a doctoral thesis by media artist and KAIST Graduate School of Culture Technology Professor Jinjoon Lee, has been officially acquired by the Ashmolean Museum, University of Oxford, for its permanent collection and exhibition — through formal purchase, not donation.
Founded in 1683, the Ashmolean Museum is the world's first university museum, operated by the University of Oxford with over 340 years of history. It predates the Louvre (1793) by 110 years and the British Museum (1759) by 76 years, and is regarded as the starting point of European Enlightenment scholarship. Its collections include masterworks by Raphael, Michelangelo, Leonardo da Vinci, and Turner, alongside ancient artefacts and East Asian ceramics and paintings — over one million objects in total.
The Ashmolean is not simply an exhibition venue but an academic institution integrating collection, research, and education. Unlike Tate Modern, which engages with the contemporary art market, or the British Museum, which displays national heritage, the Ashmolean's core mission is scholarly preservation and research. The acquisition of Professor Lee's doctoral thesis here signifies that Korean aesthetics and philosophical thought have entered the public record of European intellectual history.
Professor Lee's PhD thesis Empty Garden reinterprets the concept of uiwon (意園) — an imaginary garden cultivated in the mind by Joseon-era scholars — through contemporary data and media language, proposing 'data gardening' as a methodology for tending to the philosophy of emptiness. It is a work that continues to ask fundamental questions about human sensation, memory, and existence, even within an environment dominated by AI and data.
The 10-meter hanji scroll format is itself a central feature of the thesis. As readers engage with the text, they are naturally led to move through space — physically enacting the East Asian garden tradition of 'wandering' (거닐기). The work is designed not merely to be read but to be experienced through movement and contemplation. The thesis was produced as nine hanji scrolls in total; one of these has been acquired by the Ashmolean for its permanent collection.
This thesis received unanimous 'No Corrections' approval at its DPhil in Fine Art examination at the University of Oxford in 2020, recognising its academic rigour and originality — an achievement completed in just two and a half years, where the process typically takes over four. It is an extremely rare distinction even within Oxford's 900-year history, and drew significant attention at the time.
Oxford doctoral theses are typically archived at the Bodleian Library as academic records. This acquisition is entirely separate from that process: the museum conducted an independent five-year review following the award of the degree, assessed the work on its artistic and scholarly merits, and made a formal purchase. The inclusion of a living artist's doctoral thesis in the permanent collection of the world's oldest university museum through purchase — not donation — is exceptionally rare.
Professor Shelagh Vainker, Alice King Curator of Chinese and Korean Art at the Ashmolean Museum, University of Oxford, stated:
"I am delighted that the Ashmolean Museum has been able to acquire Dr Jinjoon Lee's Empty Garden for our permanent collection. The long, contemplative scroll breaks new ground in so many ways: in the materials and techniques employed, in the breadth and depth of cultural and intellectual knowledge embedded in it, and in the complexity of the presentation of different spaces — all providing the viewer with multiple perspectives and experiences. Empty Garden is the first piece by a contemporary Korean artist to enter the collection; when not on display it will be available for viewing by appointment."
— Shelagh Vainker, Alice King Curator of Chinese and Korean Art, Ashmolean Museum, University of Oxford
<Dr Shelagh Vainker, Professor at the University of Oxford and Alice King Curator of Chinese and Korean Art at the Ashmolean Museum, reviewing the doctoral thesis Empty Garden in the Eastern Art Study Room, Ashmolean Museum. 2026>
Professor Lee noted that during his doctoral research at Oxford, a serious leg injury left him using a wheelchair for an extended period, during which he reflected deeply on the relationship between movement, stillness, and thought. He stated: "In the age of AI, art cannot remain confined to immaterial images on screens. Data and images can only acquire depth through material forms capable of enduring time and preservation."
He further expressed his hope that Empty Garden, now housed within the public collection of Western intellectual history, would "serve as a continuing reference point connecting East Asian thought — including that of Korea — with new sensory frameworks for the age of artificial intelligence."
The first practicing artist to be appointed as a tenure-track professor at KAIST, Professor Lee currently holds concurrent positions as Visiting Fellow at Exeter College, University of Oxford, Visiting Senior Researcher at Tokyo University of the Arts, and Adjunct Professor at New York University, continuing interdisciplinary research across art, technology, and the humanities. Most recently, his work has drawn international attention from arts community, including Good Morning, Mr. G-Dragon, a space art project based on the iris data of K-pop artist G-Dragon, and Cine Forest: Awakening Bloom, an AI-based media symphony at Bundang Central Park in S. Korea.
<Jinjoon Lee, artist's studio, Seoul. 2025>
This acquisition is an exceptionally rare case of a doctoral thesis entering the permanent collection of the world's oldest university museum through formal purchase, and a historic event in which a work by a contemporary Korean artist has entered the Ashmolean's collection for the first time. Korean research that poses new questions about the role of art and the humanities in the post-AI era has now found a permanent place within the public record of Western intellectual history.
2026.03.26 View 704 -
Globally renowned stained-glass artist Fr. En Joon Kim appointed as a distinguished invited professor in the KAIST Department of Industrial Design
World-renowned master of stained-glass Father En Joong Kim was appointed to a two-year distinguished invited professorship in the KAIST Department of Industrial Design starting August 1, 2022
- Fr. Kim will share his life, spirit, and artistic capabilities with the members of KAIST through special lectures for undergraduate and graduate students, and through a stained-glass piece he will work on and donate to the KAIST Academic and Cultural Complex
- The 53-piece work of art will provide KAIST with fresh inspiration and add to its dynamic atmosphere
KAIST appointed the world-renowned stained-glass artist and priest Fr. En Joong Kim of the Dominican Order as a distinguished invited professor in the KAIST Department of Industrial Design. His term starts from August 1 of this year and ends on July 31, 2024.
The appointment aims to share the life, spirit, and artistic capabilities of Fr. Kim, who is internationally recognized for his creative work. The purpose of the appointment is not only to provide professional advice on lighting color and space, which are core contents of industrial design courses, but also to bring new inspiration to KAIST community.
Fr. Kim, who studied in the College of Fine Arts at Seoul National University, won the Korean Art Award in 1965, and later studied at the University of Fribourg in Switzerland and the Catholic University of Paris. Joining the Dominican Order in France in 1974, he started his career as both a priest and an artist, and continued his artistic activities via 200 exhibitions around the world and by working on the stained-glass windows of 50 European churches.
In recognition of the artistic merit of combining colorful tones with the beauty of blank spaces, a distinctive characteristic of Asian art, and Fr. Kim’s contributions to establishing such combinations, Passage Kim En Joong, an art gallery, was founded in Ambert, France in 2019, and for his artwork installed all over France, he was presented with the insignia of Officer in the Order of Arts and Letters by the French government in 2010.
Following the appointment, the KAIST Department of Industrial Design is preparing a special seminar lecture by Fr. Kim under the title “Search the Future”. Fr. Kim will share his experience and philosophy for pursuing aesthetic values and efforts. In addition, the department plans to set up a special studio for Fr. Kim to both work and interact with students, encouraging them to naturally communicate and share ideas together.
One of Fr. Kim's art piece being installed at the main administration building at KAIST.
In a studio at the KAIST Academic Cultural Complex (ACC), Fr. Kim is currently working on his 53-piece stained-glass project that, when finished, will be added to the ACC. KAISTians will be able to enjoy a master’s art on a daily basis as the 53 sheets of glasses combine to form one magnificent piece.
Fr. Kim said, “I am very happy to be a distinguished invited professor at KAIST, where excellent scientists are at work. It is my wish and prayer that my presence here may comfort the students’ hearts with artwork and art philosophy that carries sensitivity and sincerity, and that they may garner richer experiences.”
KAIST President Kwang Hyung Lee said, “The purpose of research and art are similar in that they pioneer through endless contemplations and attempts. The art piece to be installed at ACC, which will combine 53 pieces of stained glass, resembles our school, where our members each with their own distinctive colors and textures come together create a harmonious new form known as KAIST.”
He added, “I hope that the artistic spirit of Fr. Kim, a world-class master, will be a beacon that would bring a new type of stimulation and ease here at KAIST”
KAIST also appointed world-renowned soprano Sumi Jo as a distinguished invited professor in the Graduate School of Culture Technology in October 2021, and SM Entertainment’s executive producer Soo-man Lee as a distinguished invited professor in the School of Computing in March 2022. KAIST continues to expand and incorporate science and technology into the fields of art and culture, and to establish itself as a place for joint research and creative endeavors.
2022.09.08 View 15769 -
‘Game&Art: Auguries of Fantasy’ Features Future of the Metaverse
‘Game & Art: Auguries of Fantasy,’ a special exhibition combining art and technology will feature the new future of metaverse fantasy. The show will be hosted at the Daejeon Creative Center at the Daejeon Museum of Art through September 5.
This show exhibits a combination of science and technology with culture and arts, and introduces young artists whose creativity will lead to new opportunities in games and art. The Graduate School of Culture Technology was designated as a leading culture content academy in 2020 by the Ministry of Culture, Sports & Tourism and the Korea Creative Content Agency for fostering the R&D workforce in creative culture technology.
NCsoft sponsored the show and also participated as an artist. It combined its game-composing elements and technologies with other genres, including data for game construction, scenarios for forming a worldview, and game art and sound. All of the contents can be experienced online in a virtual space as well as offline, and can be easily accessed through personal devices.
Characterized by the themes ‘timeless’ and ‘spaceless’ which connect the past, present, and future, and space created in the digital world. The exhibition gives audience members an opportunity to experience freedom beyond the constraints of time and space under the theme of a fantasy reality created by games and art.
"Computer games, which began in the 1980s, have become cultural content that spans generations, and games are now the fusion field for leading-edge technologies including computer graphics, sound, human-computer interactions, big data, and AI. They are also the best platform for artistic creativity by adding human imagination to technology," said Professor Joo-Han Nam from the Graduate School of Culture Technology, who led the project.
"Our artists wanted to convey various messages to our society through works that connect the past, present, and future through games."
Ju-young Oh's "Unexpected Scenery V2" and "Hope for Rats V2" display game-type media work that raises issues surrounding technology, such as the lack of understanding behind various scientific achievements, the history of accidental achievements, and the side effects of new conveniences.
Tae-Wan Kim, in his work themed ‘healing’ combined the real-time movement of particles which follows the movements of people recorded as digital data. Metadata is collected by sensors in the exhibition space, and floating particle forms are evolved into abstract graphic designs according to audio-visual responses.
Meanwhile, ‘SOS’ is a collaboration work from six KAIST researchers (In-Hwa Yeom, Seung-Eon Lee, Seong-Jin Jeon, Jin-Seok Hong, Hyung-Seok Yoon, and Sang-Min Lee). SOS is based on diverse perspectives embracing phenomena surrounding contemporary natural resources. Audience members follow a gamified path between the various media-elements composing the art’s environment. Through this process, the audience can experience various emotions such as curiosity, suspicion, and recovery.
‘Diversity’ by Sung-Hyun Kim uses devices that recognize the movements of hands and fingers to provide experiences exploring the latent space of game play images learned by deep neural networks. Image volumes generated by neural networks are visualized through physics-based, three-dimensional, volume-rendering algorithms, and a series of processes were implemented based on the self-written code.
2021.06.21 View 15656 -
Professor Thompson
Professor Mary Kathryn Thompson of Civil and Environmental Engineering Department wrote her regular column on correlation between art and engineering, “Engineers, Artists Not on Opposite Ends.” The column was published by the Korea Herald on July 23, 2010. For reading, please click the link below.
http://www.koreaherald.com/opinion/Detail.jsp?newsMLId=20100722000548
2010.07.23 View 14580